Row, row, row yer boat, gently down the stream of conciousness.. . . . . .
Wednesday, November 4, 2009
Stuntman the 'Thelonious Monk' of BBoying
Rarely within established styles of artistic expression do we come across an individual with a developed style that is truly unique and is also at the top of the 'expression' game.
In the 'classic Jazz' realm, Thelonious Monk was one of those artists. His style was 'off-beat', totally unique and supremely expressive. I don't think I've yet run across another pianist that plays like he did.
Similarly, in the BBoy 'Breakdancing' world I've noted the unique dancing style of 'Stuntman' with 'Originality Stands Alone'. Over the years, 'Breakdancing' has come to have a staple of 'classical movements': Headspins, Air Flares (legs in the air spread out a stretch and spinning like a helicopter blade), etc. Often watching Breakdance contests can be like witnessing a gymnastic or ice skating competition, there are a number of well known moves and you judge their execution (and because this is dancing, also on their musicality): OK, here's the Air Flare, now a Headspin, Oh wait, that 6-step seems to be rushing ahead of the beat. 'Stuntman' on the other hand has a completely unique style that doesn't really utilize much of the repertoire of 'standard' moves, but still fits within the boundaries of the BBoy style. I really like it. It's imaginative and it's highly expressive. It takes a complete disregard for convention to show up at a BBoy contest and dance like no other dancers do, judges be damned. Kind of like Thelonious Monk was when he played the piano and made music in his own unique way.